If you've been paying attention to my friend Joe's tie making shenanigans (
here and
here), you'll know he's been hankering to make a traditional seven fold tie (constructed from one single piece of fabric folded seven times, so no separate lining required). Patterns for seven fold ties are like gold dust, but after a lengthy perusal of the interweb I eventually found this:
What I actually purchased was a copy of this original 1940's vintage pattern, but there it was in writing - seven fold - I was excited. I decided to mock one up in calico to check where all the folds went, which is when I discovered the pattern only had four fold lines. Nooooo! When Mr Tie Expert arrived he confirmed my suspicions, the pattern just wasn't wide enough, in fact it was extremely narrow - think 1940's with a hint of 1980's Kraftwerk thrown in for good measure.
Little know fact: the first time I met my husband was at a 1980's party - I came as a member of Kraftwerk complete with slicked back hair, red shirt and thin black tie….
Anyway, back to ties. We decided to use the vintage pattern as a starting point and add three more fold lines of our own. Using a diagram we'd found online as a guide and a bit of slapdash maths, we made our very own seven fold tie pattern.
There was just one seam to sew on the sewing machine, then a bit of hand stitching of the hem...
and a loooong time at the ironing board trying to work out the order in which the bloody thing needed folding. I should point out that Joe was a dedicated tie-making professional at this point, concentrating fully on the task in hand. Even my constant interruptions to show him the changing hairstyles of Hall & Oates over the years didn't distract him, he was a man on a mission.
The fold lines weren't perfectly exact, so there was a bit of fudging to be done, but he got there in the end. Ladies and gents, I give you a genuine, handmade seven fold tie!
Joe's choice of fabric - a dark navy linen from Liberty - was a lovely quality, but I did have my suspicions about how well it would drape. I needn't have worried, the fact that the pattern pieces are cut on the bias makes it hang beautifully. I also really like how the bias grain of the linen looks in a solid colour. He catch-stitched the edges together and finished off with two tiny white buttons.
All in all, an excellent day's work. And now that he has a pattern to work from, this will just be the first of many, I'm sure of it. x